My practice centres on creating striking visuals and works for changed environmental behaviours. Rooted in ecological research and a sustained engagement with oceanic systems, I develop visual languages that translate urgent environmental realities into clear, impactful forms.

In an era defined by accelerated attention loss, I prioritise materiality, haptic sensitivity, and sensory presence. My work is intentionally crafted to interrupt the speed of contemporary image consumption. Whether through cyanotype, photography, or my current painting series, I use tactility — sunlight on coated fibres, seawater traces,layered pigments — to hold the viewer’s attention long enough for ecological ideas to resonate.

My current body of work, a painting series, expands my investigation into microplastics, fragile marine species, and the emotional and material consequences of climate instability. These works build on a practice that moves fluidly between scientific research and environmental storytelling, seeking to bridge the gap between ecological knowledge and lived emotional response.

Across all mediums, my objective remains consistent and measurable:
to create visual encounters that heighten perception, cultivate environmental empathy, and support meaningful shifts in human behaviour.